Southern Graphics Council Conference 2012: Navigating Currents

6957501603_2c353a4875Tributary Tug-O-War is a collaborative, continuous installation between Blake and Hannah. It has was first installed at The Healing Center in New Orleans, Louisiana during the 2012 Southern Graphics Council Conference.

We were part of a group exhibition entitled Uncharted Territories, curated by May Babcock.

Read more about our involvement in SGCI 2012 here: Navigating Currents.


Exhibition Description


 By May Babcock

Uncharted Territories: A Printscape will be a large-scale collaborative printstallation* occupying The Gallery Spaces at The Healing Center, renovated since Hurricane Katrina.

The collaborators are a group of young, emerging artists residing in Louisiana who have worked together previously, in various groupings, on exhibitions such as: Passing Notes, a collaborative installation of printed handmade paper at the 2011 SGC International Conference in St. Louis, MO, Rat Pack, 2008, a group exhibition of prints, Real Jobs, 2009, at the Highwater Gallery in New Orleans, which showed work based the show title and theme, and Lagniappe 7: For Good Measure, a Louisiana State University portfolio exchange of graduate and post-graduate printmakers.

Katrina Andry, May Ann Babcock, Sarah Hayman, Jessie Hornbrook, Rebecca Kreisler, Hannah Sanders, Blake Sanders and Megan Singleton are the artists shaping the exhibition. They reside in New Orleans and Baton Rouge, and have exhibited internationally and around the country.

The artists will use the history and existing architecture of the spaces, while simultaneously manipulating it towards conceptual goals. The building is located in New Orleans on St. Claude Avenue. Post- Hurricane Katrina, in 2005, this area emerged as a new arts district.  The neighborhood features more installation-based, new media art and artist cooperative galleries, versus the older Julia Street Arts District, which exists in a more traditional gallery paradigm.

The collaborators will transform the rooms into an environment that forces the viewer to navigate the physical space and negotiate evolving currents in printmaking and the revitalization of New Orleans. Large format prints, paired with the nature of installation, dramatically change the relationship of the viewer to the work. If the print and the viewer traditionally occupy separate spaces within a gallery, now the prints will compose a space that completely immerses the viewer, both physically and visually.

This printstallation will incorporate hand papermaking, large-scale prints, video projection, sound, paper sculpture, found objects and fiber art.  It will expand the boundaries of printmaking by exaggerating scale, combining traditional technique with digital technology and activating the space. This manipulation will change the typical viewing experience into one that is extrasensory. To accomplish this transformation, each artist will contribute different strengths in printmaking, papermaking, sculpture, video and multi-media. The interactions between the artists, working in various Louisiana print shops and directly in the exhibition space, will organically shape the exhibition.

The exhibition will go from ceiling to wall to floor. Existing architectural elements will be incorporated into new forms. Traditional large-format prints will be integrated into the printscape of video projections, paper pulp and sculpture.  Imagery will explore the navigation of place and time, especially as it relates to our immediate landscape, the Mississippi River delta, and its unique culture.

Uncharted Territories is about the interrelationships between our personal journeys as artists, the evolution of printmaking as a medium, the revitalization of New Orleans, and our sense of place. As emerging artists we are presented with a challenge: to keep with us our rich tradition and history while forging paths into uncharted artistic territory. We are asking the viewer to take a journey with us, to chart their course through a physically immersive printscape. We give them only stars, a map, and a compass.


*“In the world of contemporary prints, a fresh format that seems to be popping up everywhere is print-based installation.  In recent years, celebrated contemporary artists Swoon, Nicola López, Ryan McGinness, and others have pushed the boundaries of traditional printmaking techniques to create unique works that have the power, presence, and conceptual rigor of work traditionally associated with “high-brow” media. Like most new trends in art, printstallation has important precedents.” -Sarah Kirk Hanley, Ink: The Lexicon of Tomorrow: Print-Based Installation < > April 8th, 2011.